Described by the Irish Times as, ”two rising stars of the northwest’s blossoming jazz scene”, Micheal and Conor Murray, twin brothers, are considered to be two of the rising stars of Irish jazz.
Born in the rugged, rural landscape of County Donegal Ireland, Conor and Micheal began experimenting with various different instruments in Irish traditional music like the Fiddle, Guitar, and Tin Whistle before settling on Saxophone and Double Bass respectively at age twelve.
They both developed a strong love for jazz music soon after and quickly began to develop a reputation around Donegal.
In 2013, at the Sligo Jazz Project, the brothers met Irish Jazz Drummer David Lyttle who the have had the honour of working with and being mentored since then.
In 2015, they moved to Glasgow to study at the Royal Conservatoire of Scotland, under the direction of Tommy Smith, and have had a vast array of performing experience in many of Glasgows jazz clubs and venues alongside top musicians such as Pete Johnstone (Tommy Smith, Square One, SNJO) and Tom Gibbs (Will Vinson), and have this year been working extensively over Ireland with drummer David Lyttle playing in Bennigans Jazz Club, Sligo Jazz Project, and most recently, a 27 date tour of Ireland that took place over the month of June.
Conor was also a finalist in Young Scottish Jazz Musician 2018, he is also a current RCS Scholarship Holder, Grade 8 Trinity in Classical Double Bass, Double bassist in the Tommy Smith Youth Jazz Orchestra and was awarded a place on the Erasmus Program Sep 2017 to Feb 2018, to study at the Music and Arts Conservatoire of Vienna(MUK).
Micheal was a semifinalist in Young Scottish Jazz Musician 2018, and a graduate of the Royal Conservatoire of Scotland, where he was awarded a place on the Erasmus Program Sep 2017 to Feb 2018 to study at the Music and Arts Conservatoire of Vienna (MUK). Recently he was awarded the Jazzlife Alliance Award, to study with contemporary saxophone icon, Jaleel Shaw.
The Brothers have a unique duo project in which they approach the standards of the Great Composers of Jazz and the American Songbook in an exciting and engaging way that also attempts to stretch the traditional role of their instruments in Jazz.
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies. However, you may visit "Cookie Settings" to provide a controlled consent.
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.